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Laura Lewis-Waters

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the poet

Secondary school English teacher Laura Lewis-Waters gave birth to her first son during the UK's COVID-19 lockdown. Small wonder then that motherhood, mental health and traumatic birth feature prominently in her writing. Laura also researches poetry as a means to raise awareness of rising sea levels; her forthcoming collection, Where Sea Meets Sea, will explore the changing East Anglia coastline through writing both confessional and imagined, as well as verbatim. Laura's debut chapbook, Bathroom Prisoners, was born in May 2022. Her second collection, Beneath the Light, arrived in March 2023.

the poems

The Faceless Lady
at Covehithe

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            She waits near the edge. Wind catching 

            at her white linen dress. She waits 

            for the fishermen to tread the headland toward her. 

            They’ll come at low tide to the morlog, 

            to the sand and shingle banks for their bass and their sole.  


            And she’ll call to them. Wondering 

            why recognition then fear always flits across their features. 


            They’re too close to the edge again. 

            In the dawn, mist rises off the broads. 

            They don’t hear the cliffs sigh and let go. 

            They don’t hear her moan. 


            She retreats to St Andrew’s. A boy in a red bobble hat 

            weaves himself through tumbling arches 

            around graves on their seaward tilt 

            as though ready to go back.

            Every William –

            every John –

            every sailor –

            every fisherman. 

            The sea was hungry this year. 

            But she’ll not let her Matryoshka home fall. 


            Somewhere a baby cries, 

            or perhaps it is the wind or sea martins. 

            The bobble hat has disappeared. She hopes 

            the church still stands on its return. 


            From the tower she watches 

            the cliff crumble and creep 

            inward. She cries into the night, but nobody comes. 

            They stay away on moonless nights 

            when milk and mist mingle. 

            The babies are hungry.


            Come morning she waits by the edge, 

            her face as flat and featureless as the sea


            while the fishermen’s wives hang their linen out to dry.

Haze-bruh

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                        The sea gives and the sea takes

                        and when it takes, it is with fire

                        it threads itself in sky, lets the 

                        air ride its brackish back like a

                        thousand battle-driven horses 

                        charging to reclaim 

                        township, it is all the elements

                        knotted together; double sheet bend

                        against farmer country.

                        Sometimes it crawls up unnoticed 

                        lapping up sand with unquenchable

                        thirst, a love too strong 

                        for stratified silt. 

                        One winter, the sea devoured

                        two bungalows; the bells 

                        of a 14th century stone church 

                        destined to toll beneath the waves. 

                        Its wilding rampage on yellow gorse-

                        lined path wind-whips the tower; 

                        north-westerly, chipping at 

                        field-boys’ teeth at teatime. 

                        Another winter, it tucked away

                        four houses, shop and bakery

                        overnight its briny breath 

                        inhaling more than flat margin brown

                        its craggy sigh raking 

                        shrinking cliff top and

                        painting the silty clay horizon where

                        the sea gives, and the sea takes takes.

Living with someone
else’s anxiety

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                 is adopting it as your own

                 it’s realising you have counted

                 black linoleum squares 1,000 times

                 sat on the bathroom floor incapable

                 of standing up.


                 It is learning magic tricks the way you learnt

                 to ride a bike, slowly, painfully,

                 rituals that have to be adhered to

                 a couple a day at first until every little task

                 that keeps you alive is riddled with them – 

                 it’s turning the tap on off on off just because

                 you brushed your teeth

                 and always stepping into a room with your right foot

                 because if you don’t you’ll never conceive. 


                 It is being your own failure 

                 you feel selfish for acknowledging 

                 because you are the ‘normal’ one, the unmedicated one,

                 reassurance that asbestos is not in the 

                 crumbling Artex one. 


                 It is filling in the gaps in the grout

                 so one day the house can be sold as a show home

                 when all you really want is to fall down

                 those little hollows.


                 It is slamming doors, crying,

                 collecting swimming certificates faster than anyone

                 around you, legs growing tired, throbbing

                 beneath the water. 


                 It is befriending magnolia walls because

                 your husband, best friend, sister, colleague 

                 are the ones that need you. 

Publishing credits

The Faceless Lady at Covehithe:

  exclusive first publication by iamb

Haze-bruh: Trees, Seas & Attitude (Black Cat Poetry Press)

Living with someone else’s anxiety: Bathroom Prisoners

  (Written Off Publishing)

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