Lewis Wyn Davies
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the poet
Lewis Wyn Davies is an emerging poet from an impoverished upbringing in Shropshire. His words have been published in Dreich, streetcake, VAINE and Free Verse Revolution, as well as in Broken Sleep Books' Masculinity: an anthology of modern voices and the Macclesfield Samaritans anthology, 100 Poems of Hope. Lewis has also collaborated with illustrator Saffron Russell on his debut pamphlet Comprehensive and the A E Housman-inspired A Shropshire Grad, featured on radio as part of BBC Upload, and been shortlisted for two literary prizes.
the poems
Son of a Hooligan
It’s another Saturday away from home
and I'm hurtling towards the capital,
picking up accents, mingling with tinnies,
trying to hide my identity while all the boys
wear Stoney badges on their sleeves.
They sway together and fill the carriage
with jarring songs about their Black heroes.
They joke about their bird being in control
back home and howl like the cavemen
who first spoke of such roles.
A couple of them spot the crest on my chest
and ask if I'm in a firm. I suppose I am
through birthright – my family tree
has the same crass banners hanging
from the branches directly above me.
I ponder how I escaped the fate that befalls
all these boys from all these towns.
I think about my father and his brother –
who wear the gear, watch the videos,
read the manuals. Yet when a blue bird’s
wing streaks across the Severn, or a robin’s
red breast hops out of a nest, their ego is
punctured. And I thank their mother for flying
those banners, as the lads on the train bash
cameras while marching out into Milton Keynes.
The Last Time
No one knows the last time is happening
as the last time happens. For example,
today is my ex-best friend's birthday
and I think about him more in five minutes
than I imagine he's thought about me
in as many years. I still see his wild eyes
in every bottle of Captain Morgan
and whenever I hear my favourite
band’s biggest riff – or his. He used
to pick me up and we’d sing
and bitch hard in supermarket car parks
deep into the morning hours,
even with brightening skies
warning us of our looming shifts.
I’d Snapchat his rants and we’d ignite
belly laughs that burnt so long
they nearly made us sick. But
I can’t tell you the last time
we did any of this. And I feel
as if he’s just made me laugh again
after tearing out my heartstrings.
To the Boy
on Rhossili Beach,
As the final days of my twenties were spent hopping across Mordor terrain with my partner in hand – the breeze pulling me up by the hair and exposing my widow's peak, waves from Venezuela finally finding the trim of my jeans to seep and rest in, the pair of us planning our next blockbuster season together – you walked the shore with a spirit that channelled an abandoned bus shelter.
We were on a washed-up stump, scrubbing sand off our exposed toes and watching your wounded figure crouch to etch a note, not knowing how right we were in our prejudice. When we finally approached, life is unkind at the best of times blared across the bay with you still in frame, and killed us completely as you slowly became just another human ant in the fifty-mile mist.
Enter Shikari fan or hollow young man, you may not care to know that I wished for happiness every starry night in my forgotten cul-de-sac, or that my shabby street cat watched on as I cried in silence (I certainly wouldn’t have given a fuck about some stranger’s better life at that time). But it might be worth knowing we replied
with love.
Publishing credits
Son of a Hooligan: Free Verse Revolution (Issue XII: Ancestors)
The Last Time: Masculinity: an anthology of modern voices
(Broken Sleep Books, 2024)
To the Boy on Rhossili Beach,: Dreich 11 (Season 6, No. 71)